Great idea can't wait. Just a few days to go to DSO and then my sets of Audio Ltd RMS 2040 need £2000 worth of re-boarding to function on the tiny sliver that is channel 38.
What's next? Maybe sell off infra red or the colour blue. Replace it with a bit of mauve perhaps.
My favorite music video from 2012 even though it was actually released April 2011 (must have cost £20 and the camera never moves)
by ARBUTUS RECORDS and HIPPOS IN TANKS.
director: GRIMES director of photography: JOHN LONDONO stylist: MARILIS CARDINAL dancers: ALLY MACKINNON, ASHLEY OBSCURA, CAROLINE DUTKA, CLAIRE BOUCHER, EMILY KAI BOCK, JANE PENNY, MARILIS CARDINAL, MING LIN, MIRIAM GALLOU music: GRIMES
Strictly Come Dancing Robin Windsor and Kristina Rihanoff
Press launch of Burn the Floor with Robin Windsor and Kristina Rihanoff
Filmed by Paria Kamyab in London using a Canon DSLR Interview recorded using a Schoeps M4 and 744T Picture supplied by Sam Palmer at AKA Media watch some mad crazy french film making Todor + Petru
Photos: Roger Mayne (1955-1957) Music: "Bad Penny Blues", Humphrey Lyttleton
Some fantastic photos of W10 in Southam Street from the mid to late 50's. Photographed by Roger Mayne. The construction of Trellick Tower resulted in most of Southam Street's demolition. Though in many ways very little has changed More W10 see the largest Gang at Notting Hill Carnival
Life and Deaf has won "the Ritter Sport Film Prize worth EUR 3,000, donated by Alfred Ritter GmbH & Co. @ Berlin's Babylon CinemaIt will now be entered into the Berlin Interfilm Festival. Shown now on BBC2BBC1 @ the South BankQueen Elizabeth HallandBerlin's Babylon Cinema
Rob Brydon doing a radio interview at the press night after party following playing the lead in Chorus of Disapproval at the Harold Pinter Theatre Panton Street London
A Chorus of Disapproval
The end film with Jimmy Carr, Harry Enfield, Julia Davis, Marcia Warren, Ronnie Corbett, Julian Barratt, David Baddiel, Hayley Tamaddon, David Tennant, Lynda Baron, Rob Brydon, Nigel Harman, Ashley Jensen and Bryn Terfel
Two glossy promos by Russell Houghten. Open Horizon has time lapse grip work intercut with skating The Gravis one has some real close up steady camera work of skateboarding through Tokyo.
Adhering to the common troupe of gang culture. "Dem Filthy Babylon" gang members are heavily influenced by the mores of genre film. These two gang members filmed here at Notting Hill Carnival in London. Give an insight into their fantasy world, living out their delusions as if in a Sergio Leone western.
Gang members have been operating in and around the Notting Hill Carnival for decades. Acting as a law unto themselves the steamer gangs can be identified by their all black clothing and their willingness to show their weapons in plain sight. As can be seen by "Dem Filthy Babylon" gang member in the middle of this photo
Members of the W10 Steamer Gang known locally as
"Dem Filthy Babylon"
choose their next victim at Notting Hill Carnival
Another gang member this time attempting to disguise herself as a mid 90s raver. Uses a metal bar which is inserted into the mouth of a large animal then pulled back violently (see the whitening of the knuckles) with leather straps. In a successful attempt at intimidating local residents attending the annual Children's Day at Notting Hill Carnival
Below was widely reported in 2010. Now it is an actuallity.
Super Hi-Vision, also known as SHV, Ultra HDTV, 8K, and simply 4320p, is the future of high-def video. With16 times more pixels than 1080p, SHV is incredibly sharp, with lenses and TVs having to be freshly invented to do it justice. The tech is likely a decade away from wide adoption, but progress is being made swiftly: The BBC and Japan's NHK teamed up this week for the first SHV broadcast to be made over the Internet, a performance by The Charlatans.
SHV, proposed as the next standard by the BBC, NHK, and Italy's RAI, -when it was demonstrated in 2003, it used 16 separate HDTV cameras to capture the demo video. These days, there are three cameras, all developed by NHK, that can handle the video's 7680 x 4320 resolution, but for this broadcast, the NHK had to create a customized lens and a 103-inch plasma screen for viewers. Even that screen doesn't quite have the pixel density to display the video properly.
The bigger problem is moving that much data at a reasonable speed. To give an idea of how much data, a 20-minute video requires about four terabytes of space. Other SHV broadcasts have had to drastically compress video and audio to fit the constraints of the connection. SHV requires a lightning-fast 24Gbps link, which isn't widely available; a demonstration in 2006 compressed the 24Gbps down to 180-600Mbps (which, is still crazily fast compared to home Internet in the States. Verizon's FiOS gets about 50-60Mbps, and that's several times faster than most cable services).
NHK hopes the format will start rolling out in bits and pieces, possibly with the first bits coming as soon as the 2012 Olympics, both for BBC archives and possibly for giant public screens. So how long before you can get Super Hi-Vision in your living room? NHK aims to start broadcasting by 2020--although that might be only in Japan, or other countries with equivalent Internet speeds. North America has been quite slow in improving broadband speeds, partly due to infrastructure, partly to cost, and partly because the US is a massive country.
Hi kids let's learn the words in time for carnival and impress your yummy mummy as she tucks into her vegan falafal
[Verse 1] Hey, I can be the answer I’m ready to dance when the vamp up And when I hit that dip, get your camera You could see I been that bitch since the Pamper And that I am that young sis, the beacon The bitch who wants to compete and I could freak a 'fit, that pump with the peep and You know what your bitch become when her weave in I just wanna sip that punch with your peeps and Sit in that lunch if you're treatin' Kick it with ya bitch who come from Parisian She know where I get mine from, and the season Now she wanna lick my plum in the evening And fit that ton-tongue d-deep in I guess that cunt getting eaten (4x) [Verse 2] I was in the 212 On the uptown A, nigga, you know what’s up or don’t you? Word to who made ya I’m a rude bitch, nigga, what are you made up of? I’m-a eat ya food up, boo I could bust your eight, I’m-a do one too, fuck ya gon' do? I want you to make bucks, I'm look right nigga, bet ya do want to fuck… Fuck him like ya do want to cum You're gay to get discovered in my two-one-deuce Cock-a-licking in the water by the blue bayou Caught the warm goo in your doo-rag too, son? Nigga, you’re a Kool-Aid dude Plus your bitch might lick it, wonder who let you come to one-two With ya doo-doo crew son… fuck are you into, huh? Niggas better oooh-run-run You could get shot, homie, if ya do want to Put ya guns up, tell your crew don’t front I’m a hoodlum nigga, you know you were too once Bitch I’m 'bout to blew up too I’m the one today, I’m the new shit, boo, young Rapunzel Who are you, bitch, new lunch? I’m-a ruin you, cunt (4x) [Bridge] Ayo (ayo), I heard you're riding with the same tall, tall tale Telling them you made some (made some) Saying you're grinding but you ain't going nowhere Why you procrastinate girl? (-nate girl) You got a lot, but you just waste all yourself They'll forget your name soon (name soon) And won't nobody be to blame but yourself, yeah [Hook] What you gon' do when I appear? W-when-when I premiere? Bitch, the end of your lives are near This shit been mine, mine (x2) [Verse 3] Bitch, I’m in the 212 With the fifth cocked nigga, it's the two-one-zoo Fuck you gon' do, when your goon sprayed up? Bet his bitch won't get him, betcha you won't do much See, even if you do want to bust Your bitch’ll get you cut and touch you crew up too, Pop You're playing with your butter like your boo won’t chew cock The gun, too -- where you do eat poon, hon? I’m fucking with you, cutie-q What’s your dick like homie, what are you into, what’s the run, dude? Where do you wake up? Tell your bitch keep hating, I’m the new one too, huh? See, I remember you when you were The young new face, but you do like to slumber, don’t you? Now your boo up too, hon I'm-a ruin you, cunt
2 Sound Devices 744T with RMS 2040 radios and Sound Devices 302 mixer
Recording sound for C4. Using 3 Schoeps CMIT, 3 Schoeps MK 40, 1 Radio mic Audio Ltd RMS 2040 with Tram TR50. Boom via Sound Devices 302 wireless with Sennheiser SKP. All fed back to 2 Sound Devices 744T with the help of another Sound Devices 302. Boom recorded to both recorders and also sent back to main camera via another Sennheiser SKP. watch some lovely animation Dubstep Dispute 73secs
